I will begin this post by saying that prior to picking up Charlie Huston’s mystery novel Already Dead I knew next to nothing about the author or the books he has written. The way in which my attention was brought to Charlie Huston was through reading a post on Early Word: The Publisher| Librarian Connection which pointed me to Huston’s new novel The Mystic Art of Erasing All Signs of Death. Stephen King provides a captivating review of the The Mystic Art on Amazon.com (see book link previously) which made me think that it would be worth a look (a feeling which I feel stronger about having now read Already Dead). One of the great benefits of working in a library is that I literally have thousands of books within immediate reach of me every work day. So, after reading the reviews for The Mystic Art I decided to see if we had a copy available at work. We didn’t but we had a number of Huston’s other books. At work I took a quick break and went to browse the shelves to see if anything by Huston would possibly interest me. That is how I found Already Dead.
On finishing Already DeadI will state that I was pleasantly surprised by how much I enjoyed it. The reason for my surprise stems from two major facts. 1). I don’t really care for mystery novels. I don’t have anything against the genre in general (and arguably some books that I have read could be considered slightly within the mystery genre, like say many of Stephen Kings works) but it just doesn’t really interest me. Probably part of it is because I associate mystery novels with my mother’s personal reading preference, while I have always been swayed more towards fantasy, horror, and scifi. 2). I don’t really read books about vampires. Yes, that is right, Already Dead is about vampires, I realize I neglected to mention that previously, but now you know. The fact that I don’t read vampire novels (in fact the only one I think I have ever read is King’s Salem’s Lot and I read that more because it was a Stephen King book than because it was about vampires) might surprise some people who know me because I happen to be a pretty big fan of vampire movies and I find the mythology that has developed around vampires to be rather interesting. Probably a big thing that has driven me away from vampire novels is the general pop goth stereotype I associate with the works. I do not have anything against either pop or goth but neither are areas that generally interest me and I think a lot of vampire stories are written with these groups in mind. Sure, I’ve been curious about works by Anne Rice (my college roommate was rather fond of her works) and have considered picking up one of the Sookie Stackhouse novelsby Charlaine Harris because I was really enjoyed HBO’s first season of True Blood (which was based on Ms. Harris’ works). So all around not a reader of either mystery or vampires.
But I did like Already Dead.
I think a big part of my enjoyment stems from the fact that Huston’s novel provided me with a very quick and relatively easy read that was entertaining but also thoughtful. Huston’s style of writing, in my opinion, can best be described as pulp. Already Deadread like a gritty detective novel that seems like it would be more in place in the late forties or early fifties, except for the whole vampire thing (I don’t think they were quite the same level of popularity then) and the computers and ATMs and cellphones and everything else in the novel that presents modern day Manhattan (where the story is set). In a way the noir pulp feel of Already Dead set in modern NYC seems almost anachronistic, but it works for the characters and the plot in a way that dives the reader from front to back. For this fact alone I give Huston high praise.
As I said above I found Already Dead to be a pretty easy read. It only took me about two days to read it (though admittedly I was sick yesterday and spent most of the day in bed reading). Just because it was a quick and easy read does not mean I think it was written simply. All around I found the story to be very creatively developed and the language to be written with admirable intelligence. Huston has a knack for words, especially when he puts them in the mouth of his characters, like the narrator Joe Pitt. He captures the gritty underside of the world in startling detail all the while keeping the read accessible and progressing. And while the book was easy enough to pick up and get through, I actually feel that there is a lot more going on than first impressions give. Sure you can read Already Deadas a detective novel featuring vampires in modern day New York and walk away having encountered a fairly entertaining book. But I would suggest you could dig deeper into the story and pull a lot of relevance from the themes that arise.
Already Deadis dark, and honestly that is a bit of an understatement. I would list this book as rated Mature with the capital M because a lot of the subject matter is pretty rough (the least of which is a vampire sucking somebodies blood or a zombie munching on some brains – both of which happen repeatedly in the story). Probably not the best book for teeny-bopper fans of Stephanie Meyer’s the Twilight Saga to jump to next (though I don’t know for certain just how detailed and mature the subject matter in those books gets). Besides the general violence that one would associate with vampires and zombies there is also a fair share of other dark aspects of society presented; murder, rape, child and domestic abuse, drugs, alcohol, sex, and enough “colorful” language to fit right in with a Quentin Tarantino movie. This isn’t to say that Huston glamorizes any of these subject matters. In fact, if anything, he writes about them exactly as they are, the hardships and dark sides of life that some people have the misfortune of experiencing. It isn’t gratuitous, it is just the world in which the characters of Already Dead live in.
Another theme that I pulled from the book, though I think that it is a little bit burried under the other more visual elements form the story, is the concepts of illness or sickness. Quite obviously the vampires and the zombies are infected with disease and this is a fact that is brought up time and time again; the zombies have a flesh and brain eating bacteria and the vampires have a blood consuming virus (simply referred to as Vyrus). But beyond that there are other ways in which illness is present in the story. Joe Pitt’s girlfriend, Evie, has HIV which is the main reason she won’t have sex with Joe (even though as a vampire Joe is immune to the disease – Evie is unaware of Joe’s vamprism though). Then there are the diseases that might not be caused by any germs but seem to be the ills of society. There are several characters who are homeless or drugs/alcohol abusers. Several of the people have been victimized by abuse or are themselves abusers. Even the perception of Manhattan and it’s society seem to represent a sickness in the world. part of this is inevitably due to Joe Pitt being the narrator and his cynical perception of the world and people around him, but I also think that Huston was consciously using the idea of illness to further frame the story. Nobody is clean in Joe Pitt’s world and near the end of the novel there is a pretty grim couple of paragraphs in which Pitt contemplates the fact that inevitably everyone is either dying or on the road to being killed.
Joe Pitt himspef presents an interesting study. As the protagonist and narrator he is what I would call a pretty good example of an anti-hero. Being an anti-hero does not mean that a character is necessarily a bad guy or a villain but more so that they do not follow the normal perception of traditional heroism. Joe fits this description in that he tends to be far more concerned with his own well being and survival than with other people around him. Joe doesn’t end up in most of the situations in the book because he is pursuing the goal of being a hero and savior, instead much of his actions are driven by his desire to earn his next meal or to save his own hide. Joe shows little problem with roughing people up or, if the situation calls for it, killing them. He seems to view most others as either inferior to him or too dangerous to really try and get involved with. But Joe also does have some deep set moral drives. It is revealed in the story that before he became a vampire he had lived in an abusive household and so he tends to have a strong drive to protect innocent people, especially children and teenagers. Further Joe comes across as having a somewhat guilty conscience of his need for blood. This doesn’t always stop him from taking it but it is a matter that seems to always be in debate in his mind. There is also his relationship with Evie and his knowledge that if he made her a vampire it would cure her of her disease but ultimately curse her to another and potentially worse one. If Joe has any real weakness it may be that he is too smart, which is also, interestingly, one of his biggest strengths. Joe Pitt can’t seem to escape from his own mind and thoughts, and at times from his own mouth (he often fails to know when to shut up). In some ways life might be easier for Joe if he was more brawn and less brains, like the giant vampire Hurley. But Joe is a thinking and his thinking often gets him into more trouble than out of it. But it is his ability to reason which also allows him to be more than a blunt instrument and thus overcome being a truly monstrous character. While Joe knows how to use violence when it is needed he can also refrain from it. It is his intelligence that in many ways makes him a kind of heroic. What drives Joe into action is usually his own self interest but inevitably his intelligence leads him down other paths, even ones that may be of danger in the long run.
So Already Deadis a pretty good book in my opinion. A quick read but an interesting one. Charlie Huston has written three other novels in the same setting and with Joe Pitt as the main character. I think I would like to check them out just to see how Huston further develops his characters and the world of Manhattan populated in part by vampires. There were also a few questions left open at the end of the book which I imagine will be further examined in the following books. I also would still really like to pick up The Mystic Art of Erasing All Signs of Death.